Date(s) - 08/26/2018
7:30 pm - 10:00 pm
Musicians Union Hall Local 6
- Spoken Word
- All Ages
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$10-15 Sliding Scale
7:30PM Pitta of the Mind
Maw Shein Win’s writing has appeared in many journals and several anthologies, including MARY: A Journal of New Writing, Cimarron Review, Poetry International, Fanzine, and others. Along with Amanda Chaudhary, she is part of musical duo Pitta of the Mind that combines poetry with abstract electronic music. Win’s most recent poetry chapbook Score and Bone is on Nomadic Press. Her full-length collection Invisible Gifts: Poems was published by Manic D Press and was a City Lights Books bestselling paperback. She is the first poet laureate of El Cerrito.
8:30PM Robert Anbian / Donald Robinson / Rent Romus
Will explore the intersection between the inner and outer reaches of what is means to seek and nurture one’s haven.
Robert Anbian, second generation beat poet and rabble rouse, writes about sex, politics, seas and oceans, city streets, deserts, war, love, music, highways, petty larceny, ecstasy, childhood, death, memories. His poems and stories are populated with the poor, lost, exiled, angry, crazy in love, and intoxicated. “We, the chaos people/ the pre-manufactured people….” His syntax is mangled, his narrative a montage. He has little use for metaphor. He means exactly what he says. His texts are homespun, esoteric, oddly familiar and strange. He’s discovering the music in language, in thought, in the cortex of consciousness.
That Anbian, a leading voice in the San Francisco poetry underground, isn’t more widely known is as much a tribute to his “odd man out” obstinacy as to the usual reluctance of society to deal with its critics.
“Anbian is a raw mixture of poet, preacher, seer, and rebel… generally these poems are unlike anything else on the market.”
Donald Robinson first studied classical percussion at the New England Conservatory. During the early 1970’s he served his musical apprenticeship in the jazz world of Paris, studying with Kenny Clarke and playing with Alan Silva, Anthony Braxton, Oliver Lake and Bobby Few among many others. He first played with Spearman as a duet partner during this period in Paris, an association which continued through various configurations and many recordings until the saxophonist’s death in 1998.
Robinson is currently playing in many configurations with a broad range of musicians throughout Europe and the US.
Rent Romus is a saxophonist/multi-instrumentalist, composer, bandleader, music producer, and community leader hailed by Downbeat as having “…a bold sound, unmistakable sincerity and conviction”. A third generation Finnish American born in the great north of upper Michigan and growing up in the San Francisco Bay Area, Romus’ work on the saxophone has been dubbed “ferocious” by the San Francisco Weekly and “central to the creative music world of the West Coast” by writer jazz critic Frank Rubolino. From his very beginnings as a student of jazz while being exposed to the twilight tutelage of Stan Getz he found himself drawn to the outer realms of Sun Ra and Albert Ayler, as well as Arthur Blythe, Derek Bailey and Merzbow. He leads the Lords of Outland a free improvisation unit since 1994, the Life’s Blood Ensemble a compostional contemporary ensemble, and works with pianist Thollem McDonas in the Bloom Project as well as the collective improvisation group The Ruminations.
The Static Illusion Methodical Madness Music Series is a musician run bi-monthly music performance series bringing highly professional and truly adventurous music that would not normally be heard or supported by mainstream presenters. Since 2001 the SIMM Series has been curated by Outsound Presents and local improvisers/composers/sound artists Rent Romus and Bill Noertker. They present a cross section of sound artists and musicians from the experimental improvisation and composition genres.